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Thursday, 21 August 2014

Jaldaboath interview (2014)

Jaldaboath came to my attention on the way back from London, when a friend told me to check them out, explaining that they contain ex-Meads of Asphodel founder/Ewigkeit mastermind James Fogarty. I say told me, he praised the band to the heavens, so I had little choice but to listen and see what I was missing. I can safely say that Jaldaboath have become one of my favourite bands since that time, their music able to do things that other metal bands fear, or do entirely by accident. They epitomise the very essence of 'British Humour' whilst also making the listener bang their heads to their one of a kind sound.

What follows is an interview with Grand Master Jaldaboth, so be seated, grab hold your chalice, and enjoy what this unworthy scribe managed to pry forth from the mighty Grand Master Jaldaboath.


(Dr. C) - I have heard so many good things about your crusade arriving at Bloodstock. Were the peasants and wenches accepting of your jovial merriment?

(Grand Master Jaldaboath) - As soon as we had arrived, tied up the horses and set camp, we set about readying ourselves for what was going to be a hard battle.  We were delighted to find that a large proportion of the crowd knew what merriment was coming and took to it with sheer abandonment !  Special thanks needs to be given to the axe wielding nuns, an unknown contingent of moshing and crowd-surfing knights and the honour guard provided by Battle of the Nations!

You have been compared to many British comedy legends. How did they pre-empt the magnificence you display, and do you think the merry jig you create will be misunderstood by non-British audiences?

First and foremostly, we are steeped in the delights of the typical Englishman ; bawdy tales, grand adventures and crass language.  It may be that non English-speaking audiences do not understand fully the tales which I recite, but I believe the “mummer play” pantomime style of the live show would appeal to any and all creeds.

Are there any plans to sally forth and crusade the beautiful Isle of England?

We had the opportunity of a 2 week national campaign with Alestorm, but had to turn it down.  A castle does not pay it’s own rent, and we need to ensure that the stables are well kept and the horses shod.  However, we are happy to make short skirmishes throughout the land in order to spread the terror that is Jaldaboath, as long as we are given ample amounts of ale, feed for the horses and a warm oven to heat our salted pork.

Your second album, 'The Further Adventures..' built on all of the best ingredients from your first release and EP, whilst also becoming ever more humourous. Is humour a thing that will remain a part of Jaldaboath, or do you see yourselves taking a darker path, like the one hinted on songs such as "Bring me the head of Metatron"?

Much like the hell-rakes of yesteryear, there are no boundaries to the depraved musical explorations of Jaldaboath.  We endeavour to leave no stone unturned if it serves the purpose of bringing converts to our table of saucy delights.  ‘Horse-riding Head-banging Metal’ is but one of the irons in the fire, be it ‘Battering Black Bulbous Barbarian Metal’, ‘Plague & Pestilence Punk-Rock’ or ‘Atonal Alchemical Arpeggiated Acid Funk’.   I am still awaiting the head of Metatron…

Your videos are a constant source of amusement and hilarity, and I have friends who swear by watching them every single day. Are there plans to make more visual accompaniments to your heraldic headbanging national anthems?

I have personally wanted nothing more than to illustrate further the adventures of Jaldaboath in magical multi-coloured moving tapestries, but we have been rather waylaid preparing for our campaigns of musical tomfoolery in order to do so.  However, HOPEFULLY this can be remedied soon and we can.

Who accompanies you on your crusades?

The full troop of Jaldaboath at this point consists of the following miscreants;

Turk Benistahn the Saracen – First Drummer Deluxe
Sir Bodrick of Tring – Knight of the Brazen Bass
Squire Pete ‘The Dragon” – Grand Guitarist Inspector
Grand Master Jaldaboath – Officer of Oratory and Knight of the Keyboard Realms

Your image reminds me of Terry Gilliam's Jaberwocky (as well as Monty Python and the Holy Grail, and Blackadder 3 amongst others). How was this image decided upon, and was there anything in particular that made you follow the path you have chosen?

My father was, for many a year, one of the few remaining Heraldic Artists, appointed by the Royal College of Arms.  It was not unusual to view the Royal Crests being constructed in the basement of doom to adorn the fair streets of London.  This laid the bedrock of my interest in all things medieval and warlike.  When matched with my enduring love for not only Jabberwocky, Black Adder and other tales of period-based fantasy like Hawk the Slayer and The Holy Grail, but also the dark fantasy of early Scandinavian Black Metal, I guess it was just a matter of time until it all united and the grand lodge of Jaldaboath was founded.

Are there any bands you feel a kinship with?

With regards to the recorded music of Jaldaboath ?  This could range from Michael Praetorius through to Bal Sagoth and, quite literally, everything in between.  There are absolutely no boundaries as to what will inspire and influence Jaldaboath.  Master Turk will obviously want me to mention his other troop Gloryhammer, so there you go.

Your sound is incredibly original. Does it please you that you are playing a kind of music that isn't watered down and played by everyone?

One thing is for sure ; you won’t find a single group that sound anything like Jaldaboath as a finished product !  When in doubt of your classification, then it’s best to start your own.  If people eventually come to describe us simply as Jaldaboath, then we have been successful.

Jaldaboath are masters in both the banging of heads, and creating oversized grins on their followers faces. How do you achieve such godliness?

I had a dream ; a dream that one day we could bang our helmeted heads whilst dancing a jig and air-galloping all the way through the recitation of tales about bawdy tavern wenches and conquests of the thrusting sword whilst quaffing from our bejewelled goblets of ale.  That day is now here.  All hail Jaldaboath !

You can purchase either of Jaldaboth's albums from Death To Music by clicking HERE.

You can give Jaldaboath a 'Like' on Facebook by clicking HERE.

Jaldaboath 'Hark the Herald' music video.

Jaldaboath 'The Wailing Witch of Moulsecoombe' music video.

 Darkest regards......Dani.

Tuesday, 12 August 2014

Interview with the dark and horiffying Venus de Vilo.

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Alternative music is rife with horror influences. From the bludgeoning attack of Necrophagia to the 50's inspired punk of The Misfits, music and horror go hand in hand. Imagine my surprise when I was contacted by Venus de Vilo, someone who practically embodies the very essence of horror in her music, videos and artistic work. I was granted my request to interview Venus de Vilo, so what follows is a journey into the mind of a true artist. Prepare to enter the world and mind of Venus de Vilo.

Please introduce yourself to the readers of World of Horror.

I am The Voice Of Horror and Queen Of The Pumpkin Patch: Venus de Vilo.

You combine horror, rock and shock very well. Was it always your intention to combine these areas, or did you concentrate on one, and the others materialized as your career moved on?

Nothing I ever do is intentional. All that I do creatively feels quite "pre-destined" and almost subconscious. It' just "in" me, like being held hostage by a warped inner demon who likes to sing and if I don't just play along, I die! That being said, everything I've ever done in my life, be it primary school show & tells, high school talent shows to now has been scary and theatrical. This is very much an internalised thing. For me, horror and music go skipping hand in hand into the deep dark woods, anything else just wouldn't make sense- and I don't want it to.

What came first, your love for horror or love for rock music?

In my strange little world Horror and Music is a Siamese curse. It just develops and evolves the longer I live and embeds itself further into my creative psyche. I am truly fucking lost down the rabid little rabbit hole that is horror-music- and I have NO intention of being found.
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You have made music videos, which come off like mini horror movies. What made you create your videos this way?
One thing I am adamant about in EVERY song I ever write is that it WON'T be just another throw novelty song about some trivial nothing that no one cares about and never stands the test of time. Henceforth - my songs are stories. I make sure every single one has a set beginning, middle and end. There is descriptive imagery, metaphor and other assorted poetic devices.

I want my listeners to to be able to perfectly visualise what's happening in the song (and hopefully, relate!) and be able to walk away from the song saying "This was about that." 
That's why with the "Crazy For You" and "Fangtasy" music video - and the next few I have lined up - ARE genuinely like mini horror movies - because ALL my songs are horror stories. All we're doing in the videos is re-enacting and living out the song on camera.

I've been very lucky in regards to the fact that I've had a fantastic director (Helgard De Barros) for both videos. He was perfectly happy with just interpreting the songs and allowing them to be an extension of the original song - not try and change them or me or miss the point completely and just have me bounce around some shopping mall or some shit. He "got it" and that's why the videos work. 
Is horror and rock/metal music eternally linked?
FUCK YES! As long as there's been music there's been songs about Satan, demons, virgin sacrifice, demons, devils, Hell, the apocalypse, witch burnings, soul selling, death, dying and the damned. To name but a very few - this list goes on. As long as there is darkness and as long as there is music (specifically alternative music) - the two are going to carry on their age old and kinky as hell love affair! And who am I to judge them?? Hitch a ride along with them is what I say!
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Tell us more about the songs you create? 
I like your use of the word "create". It does feel like every song is a little Frankenstein's Monster - painstakingly hand crafted through and from the heartbreak and misery that are the grim realities of life. And like with all monsters one creates musically (or through any artistic medium) you know there is only doom. For if you do not destroy the monster nightly on stage, it WILL destroy you. 

My three EPs "Edgar Allan Ho" - 2012. "Till Death Do Us Party" - 2013 and "Handle With Scare" - 2014 - are all monuments to the above - and living proof that you can take stupid shit like heartbreak and depression and alcoholism and so forth, face them - know thy enemy, after all - and turn them into something that doesn't control you, but YOU control and will manipulate creatively what ever way helps YOU best. 

What instruments do you play?
Guitar. And BADLY. Alarming and Hellish screeches and assorted caterwauls are also know to explode out of my face/mouth on occasion. 

Is there a specific mood you have to be in to create your work, or does it all come to you naturally?
It happens when it happens. The right song comes at the right time. Yes, discipline and routine are everything, but ultimately with something as fragile and intangible as "art" - you can't force it. When you are ready, it will come.

I like to think of songs like "mini-funerals". Something in your life lives, then it dies you mourn for it and then you MUST bury it. Then, one day you will be able to celebrate and commemorate the experience through verse (or whatever other art form.)
Each personal "Death" that one immortalises in song is different. It all depends on the rate of catharsis. Some take time to craft, some are easily exorcised before you even realise you were possessed and then sadly, some never get written at all - but float around in limbo.
Not only are you a talented musician, but you have also drawn and written comics. Please tell us more about them.
Since April 2014 I have written & illustrated three comics. Although they're more illustrated stories than actual "comic" comics - I should really stop referring to them as "comics" !! 

I adored drawing since childhood, but was never properly trained or taught. For that reason when it became time to leave high school and focus solely on music college - non-music related hobbies WERE sacrificed - art being the main one. It always made me sad that I'd given it up and then in April 2014 when I both gave up drinking alcohol and was going through a patch of writer's block - I needed a serious distraction, and for reasons to this day I still don't understand or consciously decided - I took up drawing again. A comic. An illustrated version of my cannibal-stalker anthem "Crazy For You."

That was mildly successful amongst the unwashed masses - people saying that the rough, untrained and childlike drawing just added to the blood drenched terrifyingness that is "Crazy For You." - and I have since made two further illustrated efforts. 

Halloween 2014 will see the launch of Venus de Vilo's illustrated re-telling of Edgar Allan Poe's "The Raven." 36 pages of TERROR! (And greatly improved drawing!) 
Then Christmas 2014 - Venus de Vilo's "The Night Before Christmassacre!" A rip off/new version of the classic Xmas poem. I have a recital of my new version up on soundcloud from 2013 if anyone fancies a pre-view of the festive fear!
Does the visual medium you are involved in ever conflict with the music you write/play, or does it influence it?

No. Not at all. The two completely complement each other. I've found myself unlocking a whole new level of creativity within since I re-discovered drawing and assorted other creative do-hickies. Yes, I can't work on songs when I'm working on an art project and vice versa, but it's all creativity, so it's all good! And also, I am now going to draw and design the entire art work for my upcoming full length album "Handle With Scare/Dead Boys Can't Say No" - therefore, unique and bloody weirdness guaranteed!
Who and what are your influences in music and in the visual mediums you are involved in?
Art wise, I adore Tim Burton, Roman Dirge and Edward Gorey - and I think it's clear I blatantly (and badly!) rob from their odd styles and mash them together horribly - thus creating a new abominable form of illustration! Victorian themed and bloody - with unnecessary amounts of semi-dressed ladies - ALL THE WAY!

Musically I adore Emilie Autumn and Ville Valo. 
Emilie I believe could easily be some form of long lost soul-twin! Her style, music, the meaning behind it - I 100% heartily endorse the aweomeness of that woman! Living proof that darkness into great light IS achievable. 
The dark, broody, Byronic pouting and miscellaneous musical moping of Ville Valo from HIM is what first guided my lost little 13 year old self onto the path of dark music in the first place! Ten years ago this October actually! 
Both of these artists have been integral roles in the utter corruption of character and desecration of my musical morals.
Who are your favourite movie directors?
Don't make me choose!! Anyone who directs terrifying J-Horror with long haired ghost girls, freaky children and haunted apartments is all right in my book!

Your songs are amazingly well crafted, and seem to touch the soul with their dark but humorous themes and ideas. Is this soul baring honesty and passion something that means a lot to you?
Yes. Of course it means a lot to me. It IS me. If I don't have that in a song, then I don't have ME in a song and I'm not writing a song that doesn't have me in it. If I can't relate to my own song or don't care about it or whatever, I have no fucking right to expect anyone else to -and that's goal numero uno for any and every song writer ever in existence. And at the end of the day (and the world!) all anyone has is themselves. 
Is playing live an important part of what you do?
Yes. In the extreme. For basic reasons, such as artist promotion, testing out new material - seeing what works, honing your skills and so forth But it's a whole new level and experience for the song.You can sit nicely at home writing the best fucking songs in the world till the cows come home - but where's the fun in that? Yes, you should write for yourself, but bringing it "to the people" so to speak, is what it's ALL about. 
Particularly for me, as my stage shows are so theatrical and in essence live re-enactments of the songs themselves - usually involving glitter filled balloons,, feather, blood soaked women and mad audience participation (and increasing in the weirdness and full on production with every gig!) - I'd be missing out on ALL that if I never performed.

Is image as important as making great music, or does making great music create a great image?#
Image and music go hand in hand. You MUST be the full package. As much as I revel in shocking people, people still need to be able to look at you and make wild sweeping assumptions about what's about to go down on stage. I feel that some people put either too much effort into appearance & promotion etc while their songs and musicianship suffer greatly, on the other hand there are some truly talented artists with no image or good promo-sense and they too suffer. Full package. You're only as strong as your weakest link. 
Being brutally honest, my stage costumes, for example, would be far more elaborate and such if it wasn't for the fact that - I WANT to be able to play guitar, sing properly, and move around the stage without killing myself! Ultimately, as much as I want the outside of me to represent the inside of me, I want to do a good bloody show, they're not going to get that if I can't move my arms around the guitar or am unable to stand up straight in my shoes! Image is crucial, but the music comes first - forever it was, forever it will be! 
You can 'Follow' Venus de Vilo on Twitter by clicking HERE.
You can check out Venus de Vilo's Souncloud, where you can listen to her incredible music, by clicking HERE.
You can 'Like' Venus de Vilo on Facebook by clicking HERE.
You can watch Venus de Vilo's music video for 'Crazy for You' by clicking HERE.
You can watch Venus de Vilo's music video for 'Fangtasy' by clicking HERE.
Many many thanks to Venus de Vilo for an incredible interview, and a look inside the mind of an exquisitely talented madwoman!!
Darkest regards......Dani.




Saturday, 2 August 2014

Massacre at Femur Creek trailer #1.


Check out this awesome trailer for new horror/comedy short film 'Massacre at Femur Creek' directed by Kyle Hytonen. The film tells the story of 3 friends (Kevin, Pat and Rory) embarking on a camping trip to the mythical Femur Creek. They party down, get radical 80's style and of course, around that time, a knife wielding maniac bent on bloodshed stumbles upon them. All hell, and a lot of bloody fun breaks loose from there.

The film is described by the director as a love letter to the 80's slasher films he grew up watching, as well as a satire on social media and our reliance on technology, which is rather strange considering the films 1983 time setting.

The voiceover on the trailer is done by the one and only Scott Geiter AKA Gruesome Hertzogg. Check it out! You won't be disappointed!

Click HERE to check out the trailer.

Darkest regards......Dani.

Wednesday, 30 July 2014

The Summer of Massacre (2011).

Let me first of all get this out of the way. I am a huge fan of Joe Castro's previous work. Everything from 'Terror Toons' to 'The Jackhammer Massacre" and back again. When I first heard about Joe Castro working on 'The Summer of Massacre', I assumed it was to be a remake of an absolutely godawful British film called 'The Summer of the Massacre', which begins with bad spelling and punctuation in the prologue, has actors that can barely be called as such, and the supposed gore is non-existent. Couple that with a killer who is blatantly a rip-off of The Texas Chainsaw Massacre's Leatherface, and you have a movie that really doesn't deserve a remake.

Luckily, Joe decided to create his own 'Experience' (the film works so much better this way, as it is something that does test the nerve of splatter fans) and what we have is even in the Guinness Book of Records for having the highest body count of any single movie, which is one hundred and fifty-five on-screen kills. Joe also pushes the envelope with digital effects, which more often than not work incredibly well, but more on that later.

The film is a horrific experience, and if you aren't a fan of indiscriminate violence, revenge or experimental cinema, you won't find much to like here. What Joe does is push the very boundaries of on-screen violence far beyond anything you have ever seen before. The film is incredibly experimental in it's camera work. violence, special FX and even it's structure. This is something incredibly different for low budget cinema, and it is great to see directors out there willing to push their boundaries to achieve their goals.The outcome is insane to say the least. Murder after murder, not a minute goes by without someone meeting a grisly end. This movie delivers the carnage like no other.

Now, lets get to the digital FX that so many reviewers seem to complain about. Some of the digital FX are fantastic, but others are noticeable and don't work as well, simply because as Joe was making the film, he was  learning how to create digital FX, and some of the FX were made before he had learned everything he needed to know. I guarantee you though, the early FX take nothing away from the film whatsoever, and it would be silly of anyone to dismiss this experimental experience because of this small thing.. It remains a brutal, misanthropic and deviant piece of cinema that manages to push the mind into a darkness very rarely created by horror cinema. An ability to overlook small things (that really won't ruin your enjoyment of the film if you did pay attention to them) will make you realise just how ambitious and brutal this film really is.

Every story contained within 'The Summer of Massacre will have something all horror fans will love. The first story tells the tale of a man who is beaten and killed, who just so happens to come back and murder indiscriminately. The second story is about a disabled girl who is killed by her prettier sister, and comes back for revenge. The third story contains what is probably the most frightening zombie since the days of the Lucio Fulci and Gianetto De Rossi, and the fourth story is homage to the slasher movies of old. The wrap-around story tells the tale of three killers and their final hours. Joe's love for horror really seeps from every scene, and it impossible not to see the passion in this blood spattered experience.

So much more than a movie, this is experimental art that pushes the boundaries of on-screen violence way past the point of no return, and I for one salute Joe Castro for doing something different, and something that every horror fan can enjoy if they are willing to experience the horror show Joe has given us without passing a fickle judgement on what lies before them.

Darkest regards......Dani.

Monday, 28 July 2014

Moviepilot Horror Vs Rob Zombie.

What the hell has happened to Moviepilot? I wrote a number of articles for them last year sometime, and generally received great feedback. Lately, I have been noticing more and more articles that have very little basis in fact. The majority of them are speculative to say the least, while some are total bullshit.

There has been an article posted on Moviepilot, where the administrator of Moviepilot Horror, Amy Martin, wrote an article claiming that Rob Zombie had been shooting his mouth off saying how his version of Halloween was so much better than John Carpenter's original. It seems the article has been removed, which goes to show just how wrong it was. Below, you can see Rob Zombie's reply to this poorly written article full of lies and statements taken completely out of context.

"Who ever wrote this (Amy Martin) is a trouble making cunt. I love John Carpenter's Halloween and John knows that. Why? Because I told him. In fact he was the first person I called and told about my film. He said he was cool with it. I actually said to him "if this is a problem, I won't do it". Simple as that.

I have never compared the two films and never will. Taking a bunch of things I said years before I even made the film to try and start trouble is typical internet nonsense. I never pointed out flaws in the original. I pointed out things that weren't in the original that I could put in mine. Not because I thought my way was better, but because I thought it would be different. Since I figured trying to make the exact same film was sort of silly.

Here is cute quote from this bullshit article "I don't want to jump to conclusions, but I would say that Zombie is totally lying when he says that he likes and respects the original Halloween, but is just saying that for fear of losing fans if he said otherwise."

Here's a direct quote for you Amy Martin... "FUCK YOU MOTHERFUCKING PEICE OF USELESS SHIT!" Don't misquote that.

BTW your article reads like it was written by a fourth grader".

I think that says it all. The fact she has the audacity to even hint that Zombie has no respect for Carpenter's Halloween shows that this lady is out for Zombie's blood, and is obviously not a fan of his work at all. I followed Zombie's remake of Halloween very closely, and remember reading that he actually went to John Carpenter and asked his permission to do certain things with the film, and John Carpenter's reply was "Make it your own". Anyone who has seen Zombie's remake can see the passion for the original material, whilst also building on the bricks Carpenter laid in '78.

Any writer will agree that it is always best to be unbiased. Just because you hate something (and I really don't see the point in hating anything that is out of your control) then don't watch/read/listen to/look at it. Why anyone would waste time to write an article full of lies is beyond me (I didn't realize the Daily Mail and Moviepilot were so closely linked).

It is a shame it had to come to Rob Zombie commenting on the article for everyone to see that none of the things stated in the article are true. Hopefully this makes other writers sit up and take note. Lies, trying to stir the shit pot and sensationalizing things will not get you anywhere, because there is always someone out there who will put you right.

I extend my middle finger to Moviepilot, and I hope they know that I personally will not be writing for them again for the simple fact that this article contained so much rubbish and not an ounce of truth, and every other article I see is either speculation or stolen from another news site. If they ever start promoting original content again by people who can actually type coherent sentences and try and give up trying to make the rumour mill move faster, then I might consider reading what they post. Until then, I will avoid everything they put out. If that offends anyone, then so be it, but I will not be a part of something that gives voices to ill-informed people with a basic grasp of writing pouring out their silly and immature vendettas in the form of thinly veiled articles/attacks on filmmakers. #

Darkest regards......Dani.


Friday, 25 July 2014

'See No Evil 2' trailer is here!!

It's finally here! The trailer for 'See No Evil 2', directed by Jen and Sylvia Soska and starring WWE Superstar Kane as Jacob Goodnight, Danielle Harris and Katherine Isabelle, looks incredible. While I wasn't that impressed with the first film (it had a couple of decent kills, but was hampered by a story that took far too long to go anywhere) I love the character of Jacob Goodnight, and he looks even more pissed off in this sequel. The addition of a mask also makes the character that much creepier. Check the trailer out below.

Darkest regards......Dani.

Thursday, 24 July 2014

I Spill your Guts 2.

James Balsamo's 'I Spill your Guts' is in my eyes at least, a classic low budget exploitation movie that manages to please on so many levels, be they aesthetic, storywise, nudity-wise and splatter, the man delivered! So it is with great anticipation that I can reveal that James Balsamo has set up an indiegogo campaign up for 'I Spill your Guts 2', as he wants to make it a theatrical release, which I am sure will please all of his fans out there. The Indiegogo project ends on September 20th, so get sharing and donating!

 Here is the synopsis from the man himself :-

"A blood-crazed vigilante is carving through New York's political empire, dismembering one corrupt politician after another. Only known as the American Executioner, this mask-wearing maniac is fueled by revenge to kill a senator who he blames for losing his voice and the suicide of his fiancé. This hooded assassin, with nothing to loose, has his sight set on the sex-craved senator whose lust for big-breasted women may cost him more than his political career. As he disembowels money-hungry sleazebags, no one is safe from this savage military mercenary. Tortured by the voices in his head and haunted by the ghosts of his victims, the only way to bring closure to his madness is to paint the city red with revenge. A hero to some and a nightmare to others, The American Executioner is lurking the streets. Just hope he's not coming for you in I Spill Your Guts 2"

Now the only thing left to do is get donating and/or spread the word about this amazing project!

You can find the 'I Spill your Guts 2' Indiegogo by clicking  HERE. And please, don't forget to share it with all your horror and exploitation loving friends. Please!

James Balsamo is a true visionary. We have all seen that he is very capable of making great cinema with very little money. Let's see what he can unleash on the world this time! The indie uprising has begun, and James is leading the charge!

Darkest regards......Dani.